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Introduction -- 1. The theoretical framework of copyright propertization -- 2. Droit d'auteur, copyright and the historical epiphanies of propertization -- 3. The EU copyright model, or how to lose the compass in a systemic chaos -- 4. The different effects of copyright propertization: EU vs. Member States -- 5. The social function of copyright as property right -- 6. Building and harmonizing EU copyright law within the property framework: a four-dimensional experiment of systematization -- Conclusions-- Bibliography -- Index

Intro -- Privilege and Property -- Contents -- Contributors -- Introduction. -- 1. From Gunpowder to Print: The Common Origins of Copyright and Patent -- 2. 'A Mongrel of Early Modern Copyright': Scotland in European Perspective -- 3. The Public Sphere and the Emergence of Copyright: Areopagitica, the Stationers' Company, and the Statute of Anne -- 4. Early American Printing Privileges. The Ambivalent Origins of Authors' Copyright in America -- 5. Author and Work in the French Print Privileges System: Some Milestones -- 6. A Venetian Experiment on Perpetual Copyright -- 7. Les formalités sont mortes, vive les formalités! Copyright Formalities and the Reasons for their Decline in Nineteenth Century Europe -- 8. The Berlin Publisher Friedrich Nicolai and the Reprinting Sections of the Prussian Statute Book of 1794 -- 9. Nineteenth Century Controversies Relating to the Protection of Artistic Property in France -- 10. Maps, Views and Ornament: Visualising Property in Art and Law. The Case of Pre-modern France -- 11. Breaking the Mould? The Radical Nature of the Fine Arts Copyright Bill 1862 -- 12. 'Neither Bolt nor Chain, Iron Safe nor Private Watchman, Can Prevent the Theft of Words': The Birth of the Performing Right in Britain -- 13. The Return of the Commons - Copyright History as a Common Source -- 14. The Significance of Copyright History for Publishing History and Historians -- 15. Metaphors of Intellectual Property -- Bibliography -- Index.

Introduction. The history of copyright history : notes from an emerging discipline /Martin Kretschmer, with lionel Bentley and Ronan Deazley --From gunpowder to print : the common origins of copyright and patent /Joanna Kostylo --'A Mongrel of Early Modern Copyright' : Scotland in European perspective /Alastair J. Mann --Public sphere and the emergence of copyright : areopagitica, the stationers' company, and the Statute of Anne /Mark Rose --Early American printing privileges. the ambivalent origins of authors' copyright in America /Oren Bracha --Author and work in the French print privileges system : some milestones /Laurent Pfister --Venetian experiment on Perpetual copyright /Maurizio Borghi --Copyright formalities and the reasons for their decline in nineteenth century Europe /Stef van Gompel --Berlin publisher Friedrich Nicolai and the reprinting sections of the Prussian Statute Book of 1794 /Friedemann Kawohl --Nineteenth century controversies relating to the protection of artistic property in France /Frédéric Rideau --Maps, views and ornament : visualising property in art and law. The case of pre-modern France /Katie Scott --Breaking the mould? The radical nature of the Fine Arts Copyright Bill 1862 /Ronan Deazley --'Neither bolt nor chain, iron safe nor private watchman, can prevent the theft of words' : the birth of the performing right in Britain /Isabella Alexander --Return of the commons -- copyright history as a common source /Karl-Nikolaus Peifer --Significance of copyright history for publishing history and historians /John Feather --Metaphors of intellectual property /William St. Clair.

What can and can't be copied is a matter of law, but also of aesthetics, culture, and economics. The act of copying, and the creation and transaction of rights relating to it, evokes fundamental notions of communication and censorship, of authorship and ownership—of privilege and property. This volume conceives a new history of copyright law that has its roots in a wide range of norms and practices. The essays reach back to the very material world of craftsmanship and mechanical inventions of Renaissance Italy where, in 1469, the German master printer Johannes of Speyer obtained a five-year exclusive privilege to print in Venice and its dominions. Along the intellectual journey that follows, we encounter John Milton who, in 1644 accused the English parliament of having been deceived by the 'fraud of some old patentees and monopolizers in the trade of bookselling' (i.e. the London Stationers' Company). Later revisionary essays investigate the regulation of the printing press in the North American colonies as a provincial and somewhat crude version of European precedents, and how, in the revolutionary France of 1789, the subtle balance that the royal decrees had established between the interests of the author, the bookseller, and the public, was shattered by the abolition of the privilege system. Some of the essays also address the specific evolution of rights associated with the visual and performing arts. The volume is a companion to the digital archive Primary Sources on Copyright (1450-1900), funded by the UK Arts and Humanities Research Council (AHRC). Privilege and Property is recommended in the Times Higher Education Textbook Guide (November, 2010).

The principle of Access to Knowledge (A2K) has become a common reference point for a diverse set of agendas that all hope to realize technological and human potential by making knowledge more accessible. This book is a history of international copyright focused on principles of A2K and their proponents. Whilst debate and discussion so far has covered the perspectives of major western countries, the author's fresh approach to the topic considers emerging countries and NGOs, who have fought for the principles of A2K that are now fundamental to the system. Written in a clear and accessible style, the book connects copyright history to current problems, issues and events

Cover -- Contents -- Acknowledgments -- Introduction -- 1 Owning News in an Age of Censorship and Monopoly -- 2 Toward a Culture of Copying in Eighteenth-Century Britain -- 3 Scissors Editors: Cutting and Pasting in Early America -- 4 Market News and the Limits of Copyright in Nineteenth-Century America -- 5 Debating Copyright for News in Industrial Britain -- 6 Press Associations and the Quest for Exclusivity in the United States -- 7 International News Service v. Associated Press and Its Legacy -- Epilogue: The View from the Digital Age -- Abbreviations Used in the Notes and a Note on Newspaper Sources -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y